Breathing life into death: a filmmakers tribute to palliative care

Greek-French director Costa-Gavras's latest film is set in a hospital's palliative care unit. And while death is ever present, Le Dernier Souffle ("The Last Breath") is above all an ode to life and to the medical professionals who stay alongside their patients until the very end.

The idea for the film came from a book of the same name cowritten by doctor Claude Grange and philosopher Rgis Debray, who sought to bring the issue of end of life care into the public dialogue.

The film follows an encounter between a writer (played by Denis Podalyds) and a doctor of palliative care (Kad Merad) who strike up a friendship. The writer comes to the hospital for a scan he is afraid will reveal a life-threateningcancer.

Instead, he discovers how people prepare for death in a world [capable of] making the unacceptable bearable.

For Costa-Gavras,the bookwas a heartening read, illuminating the options for how the end can be after all, he says: "The end of life is still life."

The award-winning director, who celebrates his 92nd birthday on 13 February, said the topic has been on his mind for some time. Is there a perfect way to die, he wondered? This is the question he addresses with this film, while shining a light on palliative care an area of medicine that is often overlooked but which hedescribes as "a wonderful system because the patient is never alone".

Parliamentary debate

He admits it was not easy to film around such a serious subject, but choosing to work with real nurses and doctors was helpful. Having researched and observed the field of palliative care,Costa-Gavras laments that not everyone who needs it can access this type of care.

"There are two or three thousand beds for palliative care and there should be 200,000," he told RFI.

French PM under fire for plans to split controversial assisted dying bill

Le Dernier Souffle is comingtoFrench screens at a time when parliamentarians are set to review a bill on assisted dying and palliative care. Theoriginal textreached parliament in early 2024 but stalled when theNational Assemblywas dissolved in June last year.

Prime MinisterFranois Bayrou, a devout Catholic, now wants to separate the two issues into distinct laws a move that has exposed divisions both within parliament and the governing coalition.

Costa-Gavras who is the president of theCinmathque franaisefilm museum and archive insists that while his film is connected to societal issues, it was not his intention to weigh in on the debate.

"The timing of the film just so happened to coincide with these moments. We didnt plan anything. I prefer that the film has its own life because well all find ourselves in this situation," he said.

He says his objective withLe Dernier Soufflewas to create a bond with the viewer. "You dont go to the cinema to listen to a conference about medicine or an academic speech," he said. "You go to the cinema to feel emotion: to love, or not love, to cry, be angry, be happy."

A new home in France

Born Konstantinos Gavras in the Arcadia region of Greece in 1933, he was not allowed to enrol in university in his homeland, nor get a visa for the United States, due to his fathers links toGreeces Communist Party.

In the 1950s, he made France his home, where he studied literature at the Sorbonne University and later went to film school.Most of his films are in French, but he has made six in English and one in Greek.

In a career spanning 20 feature films, Costa-Gavras (as he is professionally known) has built a reputation for dealing with controversial issues, often inspired by real-life situations, all while using the cinematic codes of a thriller.

'Camra Libre': a French plan to foster freedom of speech for muzzled filmmakers

His 1969 film Zdeals withpolitical assassination, while 1982'sMissingis the story of a disappeared American journalist in 1970s Chile, and Amen (2002) is centred onthe relationship between the Church and Nazi Germany.

'All films are political'

Despite often dissecting themes of justice and oppression, Costa-Gavras does not see himself as a specialist of the political genre.

"All films are political on some level because they have a direct connection to the spectator, telling them something, stirring up emotions. Then the spectator either does something with that or doesnt.

"Politics for me isnt just about who you vote for or who gets into government. Its about daily life. The relationships you have with other people, whether you make them feel happy or unhappy thats politics," he said.

Catherine Deneuve to host 50th edition of Csar cinema awards in 2025

Costa-Gavras will be the recipient of an honorary award at this year'sCsar ceremony Frances equivalent of the Oscars on 28 February.

The director says he is "thrilled to be recognisedby the profession" one which he believes hasthe power to "change the world". To that end, he has already started working on his next project.

Originally published on RFI

More Athens News

Access More

Sign up for Athens News

a daily newsletter full of things to discuss over drinks.and the great thing is that it's on the house!